Wind Sections
The OSUMB utilizes a specific set of instruments to achieve the sound quality, projection, presence, and timbral variance that we strive for. Each section not only provides a specific sound and adds to the performance in unique ways visually, but has an internal dynamic that is unique to that instrument. Read below for an introduction from each section in the band!
Alto Saxophone
The altos are a section that is always willing to lend a hand to those in need. We're a section dedicated to looking and sounding our absolute best. While teamwork and hardwork are important factors, we're also a friendly bunch that enjoys a good time both on and off the field. We're a section with a strong presence of home and acceptance. So anyone can be a part of the alto family! We can't wait to see you in the fall!
-The Altos
Tenor Saxophone
Welcome to the tenor section! Here you’ll find a group of goofy, warm-hearted people—with a only a somewhat unhealthy obsession with Benny the Beaver. We are proud to be a section that feels like a family, even if we may have an excess of weird uncles. As a family, tenors are always there for each other, so come join us!
- The Tenors
Mellophone
Welcome to the mellophone section! The mellophone adds color to any ensemble combining the richness of a french horn with the brightness of a trumpet. At OSU, the mellophones strive for perfections. As a section that is typically on the smaller side, it takes ever member’s dedication to music and art to create the strength behind our sound. Out section is tightly knit together, so we all learn and grow together as a part of the Spirit and Sound
-The Mellophones
Trombone
The Trombones are proud to have many different personalities who share a love of music, marching band, and Beavs. In addition, the Trombones are a down to earth family that will always have your back. When joining our section prepare for: Crazy antics, dancing, and a little bit of spit.
"nos succedunt per accidens."
We succeed by accident.
-The Bones
Some notes on instrumentation:
Winds
Some notable absences between the sections in the Spirit and Sound and other ensembles include flute and baritone saxophone. Flutes have a tendency to disappear sonically in a stadium as large as Reser, whereas the octave displacement from Piccolos allows the players to form an important, present voice. Baritone saxophones, aside from mostly being too large to march with, end up being less effective than sousaphones at laying down bass lines, and not as flexible with melodies and countermelodies as tenor saxophones. Most players coming from bari sax end up with either the sousaphones or the tenor saxes.
Percussion
We don’t utilize a front ensemble or “pit” in the OSUMB. This is primarily a historical marker, as front ensembles didn’t emerge in the activity until the 1980’s. It is also a logistical and performative consideration. As a full-scope college marching band, we have to be able to play a variety of venues and events, often while on the move. Storing, transporting, and maintaining a compliment of mallet instruments would dramatically reduce this performance flexibility. Mallet specialists are encouraged to reach out to the Drumline and inquire about developing on a battery instrument. Most musicians who performed with the front ensemble in high school or at other universities can easily find a home in the Drumline. In a few cases mallet specialists have switched to Color Guard or one of the wind instrument sections above.